Brian P. Hoover

Professor of Art & Design

Professional Information

Education

1990 M.F.A., State University of New York at Buffalo, Printmaking/Painting
1988 B.F.A. Kutztown University, PA, Printmaking/Painting
1984-86 Undergraduate Cleveland Institute of Art
1982-84 Harrisburg Area Community College

Biographical Summary

Current Creative/Research Interests

The imagery in my work revolves around dreams, myth and spirituality.

For several years now, I have been very regimental about keeping a dream diary by my bed. Just scribbling a few notes when you wake in the night is crucial for remembering a dream the following morning.  Dreams are important to me because they stand as a reminder that all is not orderly in the universe.  Life is an enigma.  Life is surprising.  The unknown and the unknowable and our relative smallness in the universe are very important in maintaining my own spiritual ideology.

Apart from the exhilaration I feel from a powerful dream, these A night diaries@ also represent veiled insights into my own psyche.  Houses, both strange and familiar, are reoccurring themes in my dreams, as well as elemental things such as wind, water and fire. I am aware of the Jungian impulse to interpret these things outright, but I am equally satisfied to be awed by the seemingly infinite and unknowable well that they originate from.

This makes most of my paintings very autobiographical. This self-indulgent stance is perhaps not very fashionable in the current postmodern trend to deal with global issues, politics or esoteric aesthetics  Ultimately, I would like people to respond the same way I do to many early Christian works - not for religious reasons,  but for the fact that they were often strange, unworldly, powerful and even fearsome objects of reverence.

I begin a painting by spilling and splashing liquefied paint onto the surface of a canvas; not unlike an abstract expressionist would. After the paint dries I begin to ARorschach@ images that my subconscious sees in the abstract puddles of paint. I then try to render in a more traditional manner- without completely disturbing the freshness of the spill- a representational narrative that often equals the strangeness and absurdity of dreams.  Beauty, levity and horror are often combined in what I hope to be a seductive if not disturbing  I appropriate imagery from the ancient past to popular culture and combine it with dream imagery.  I then endeavor to create a sense of powerful myth and magic in the hope that I may create my own objects of reverence.

Professional Experience

Teaching and Related Experience                     

1995 to present             Professor, Southern Utah University

1990 – 1995                    Adjunct Professor – Harrisburg Area Community College

1988 – 1990                    Teaching Assistantship – State University  of New York at Buffalo

Exhibitions

SOLO EXHIBITIONS
2007                          Sears Gallery, St. George, Utah
2004                          Gallery East – Price, Utah
2002                         Springville Museum of Art – Springville, Utah
1991                         Penn State University – Harrisburg, Pennsylvania

TWO-PERSON EXHIBITIONS

2003                         Glendinning Gallery – "Mythical Objects", Salt Lake City, Utah
1991                         Doshi Center for Contemporary Art, Harrisburg, Pennsylvania
1990                         Bethune Gallery, Buffalo, New York

GROUP EXHIBITIONS

2006                        Ohio Sate University- “Mid America Print Council”, Athens, Ohio
2006                        Rio Gallery- “Untitled”, Salt Lake City, Utah
2006                        St. George Art Museum – “Dixie Regional”, St. George, Utah
2006                        Springville Museum of Art "Get Real Figurative Art from SUU", Springville,
2005                        New Visions Gallery "2002 Revisited," Salt Lake City, Utah
2005                       Springville Musuem Art "81st Annual Spring Salon," Merid Award, Springville, Utah
2004                       Fairview Museum of History & Art, "Permanent Collection," Fairview, Utah
2004                        "A" Gallery, Salt Lake City, Utah
2004                        Springville Museum of Art, "The Spiritual Show," Springville, Utah
2003                        Rio Gallery, "Artist Grantees Exhibition, Salt Lake City, Utah            
2002                       Norman Building – "Utah Art 2002", Salt Lake City, Utah
2002                       Fables Art Gallery - "Celebrating the Human Form", Salt Lake City, Utah  
2001-2002            Springville Museum of Art – "Utah Art, Utah Artist: A 150 Year Survey", Springville, UT                                                                    
2001                       Gallery Eleven-Seven – "Objects de Mystique", Long Beach, California
2001                       New Orleans Art Association – "Fresh Faces", New Orleans, Louisiana
2001                       Center for Visual Arts – "2001 Midwest Winter Exhibition", Wausau, Wisconsin
2001                       Springville Museum of Art – "77th Spring Salon", Merit Award, Springville, Utah
2000                       Bradley University – "The 28th Bradley Print and Drawing Exhibition", Peoria, Illinois
2000                       Springville Museum of Art – "The Spiritual Show", Merit Award, Springville, Utah
2000                       Period Gallery – "Winterfest III International Art Exhibition", Omaha, Nebraska
2000                       Finch Lane Gallery – "Four Person Exhibition", Salt Lake City, Utah
1999                       St. George Art Museum – "Third Annual Regional", St. George, Utah
1999                       Carnegie Mellon University – "Photogravure Exhibition", Pittsburgh, Pennsylvania
1999                       Period Gallery – "Realism 99", Special Recognition, Omaha, Nebraska
1999                       Springville Museum of Art – "75th Spring Salon", Merit Award, Springville, Utah
1998                       Provincetown Art Association and Museum – "1998 National Competition", Provincetown, MA
1998                       Cooperstown Art Association – "1998 National Competition", Award, Cooperstown, NY 
1998                       Springville Museum of Art – "74th Spring Salon", Springville, Uta
1997                        Eccles Community Center – "Black and White", Ogden, Utah
1997                        Eccles Community Art Center – "23rd Annual", Honorable Mention, Ogden, Utah
1997                        Paris Gibson Square Museum of Art – "Art Equinox", Great Falls, Montana
1997                        Artwest Gallery – "Art and Healing", Jackson, Wyoming
1997                        Springville Museum of Art – "73rd Spring Salon", Springville, Utah
1996                        Springville Museum of Art – "Spiritual Show", Springville, Utah
1995                        Bradley University – "Bradley National Print &Drawing Exhibition", Merit Award, Peoria, IL
1994                        Mesa Gallery – "Juried Show", Juror’s Award, Mesa, Arizona
1993                        Kutztown University – "1st Annual Alumni Exhibition", Kutztown, Pennsylvania
1993                        Elizabethtown College – "Juried Show", Elizabethtown, Pennsylvania 1
1992                        San Diego Art Institute – "The Prints and the Paper", 1st Prize,San Diego, California
1991                        Doshi Center for Contemporary Arts – "Realists", Harrisburg, Pennsylvania
1990                        Albright-Knox Art Gallery – "43rd Western NY Exhibition",Frank J.Mohring  Award, Buffalo NY
1988                        Center for the Arts Muhlenburg College – "May Fair 88", Allentown, Pennsylvania
1988                        University of North Dakota – "31st North Dakota Print and Drawing", Grand Forks, ND
1988                        Sharadin Art Gallery – Kutztown, Pennsylvania

Publications

                                 Acknowledged and work describes in "Utah Art", Swanson, Olpin and Seifrit. Published By Gibbs and Smith.
                                
                                Work was highlighted and illustrated in "Utah Art, Utah Artists – 150 Year Survey", Swanson, Olpin, Poulton and Rogers. 
                                Published by Gibbs and Smith.  2001
Grants

                                Utah Arts Council Individual Artist Grant, Salt Lake City, Utah, 2002

                                Anderson Ranch Art Center, Scholarship, Snowmass Village, Colorado, 1999

                               Mark Diamond Research Grant, Buffalo, New York, 1989

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Last Update: Friday, March 27, 2009