Text Box: SUU ENGL 1010
Schedule One 
Look for lecture slideshow links in Canvas

Assignments Due Today

In this column you’ll find the listing of assignments that are  due today and  reminders of materials you’ll need in class. However, you must check Canvas for specific assignment details.

Assignment formatting style:

Please follow the linked model in order to receive full credit for your assignments.

Tentative Class Agenda

 

In this column you’ll find what I hope to accomplish today. Because I’ll modify my approach to suit your needs, not all In-Class Activities will be listed here in advance of our day-to-day meetings. Note that REQUIRED assignments cannot be used as drop points

 

MJan7

Introduction to class

Analyzing Landon Gray Mitchell’s  “Some Infinite Thing” (PDF copy) and  YouTube video .

 

 

 

 

 

 

 

 

WJan9

REQUIRED CANVAS DAILY ASSIGNMENT: Read the introduction to They Say/I Say (1-15.) Complete and upload on Canvas a 1-page essay built on Exercise #2 on page 15 in They Say/I Say.  Be sure to do more than simply filling in the blanks. Elaborate with secondary and tertiary detail, Use New Times Roman 12 point type, doublespace, and follow this formatting style:

Note: If you’ve never used Canvas before, be aware that you’ll need to activate your SUU username and login in order to use the system.

 

 

Understanding secondary  and tertiary detail

Elaborating with summaries, paraphrases and summaries

FrJan11

REQUIRED CANVAS DAILY ASSIGNMENT: In Outliers, read “The Mathew Effect” and decide what thesis (main point) Gladwell is arguing. Adapting the #2 I Say/They Say  template from your last assignment, (page 15)  respond to this new reading. Strive to include not just secondary support to explain your thesis, but tertiary detail to make your ideas more convincing. In other words, use examples drawn from the reading and documented with page numbers (16). Set your paper up following the MLA format we have discussed in class. Remember to double-space and to use Times New Roman 12 point. Your response should be about one double-spaced page.  Here’s a sample of  an adapted template format:

In Chapter One in Outliers, a nonfiction book that explores the roots of success, author Malcolm Gladwell is attempting to convince his readers that ___________. Specifically, Gladwell builds an argument by offering a series of examples, all of which support his view that success depends to a great extent on what he calls “The Mathew Effect.” For him, “The Mathew Effect” means __________. As the author puts it, “. . . . “ ( ). To support his view he offers  several examples, including . . . . Although some people believe _____, Gladwell implies that ________I agree/disagree/have mixed feelings.

{Continue from here following the rest of the textbook template.]

Besides uploading your assignment to Canvas by class time, bring a printout of your completed assignment to class for discussion (not grading) purposes

 

 

 

 

Introduction of Essay 1A

Considering rhetorical context

Exercise: Rhetorical context game

 

 

 

MJan14

In They Say/I Say, read Chapters 1, 2, and 3  (pages 19-51). Be aware that this material will be covered in Wednesday’s REQUIRED QUIZ.

Go to the “This I Believe” site and read these two essays:

A Taste of  Success  AND

Success in Community

Use the  template  listed on  Canvas Daily Assignment 6 to summarize and contrast the views of the two authors.

 

Discussion question of the day: Which of today’s two assigned readings  were more effective in terms of achieving their point and purpose towards a particular audience

· What  does “rhetorical situation” mean?

· What are some major elements of a “rhetorical situation”?

· What is the function of a  thesis statement?

· What are the characteristics of an effective thesis statement?

· What is the difference between an explicit and implicit thesis statement?

· How can thesis statement’s be “supported” with tertiary detail?

 

WJan16

REQUIRED CANVAS DAILY Assignment: “The 10,000 Hour Rule.” See the canvas assignment for details

REQUIRED QUIZ over readings and terms covered so far this semester (20 points)

Introduction to understanding  ethos, pathos and logos

 

FrJan18

No take-home assignment due today.

 

.

In-class exercise: Ethos, pathos, and logos

 

 

 MJan21:

No class today: MLK holiday

 

WJan23

Meet in the Writing Center today

 In-class Exercise: REQUIRED OUTLINING EXERCISE

 Sign up for REQUIRED PROFESSOR CONSULTATION (10 points).  Please note that this required assignment may not be applied to your 30 drop points. If you miss, you may make up the points by completing a half-hour appointment with a Writing Center consultant by  noon of the day before the essay is due. Be sure to let your consultant know that I’ll need “green sheet” notification of your session

FrJan25

REQUIRED CANVAS DAILY ASSIGNMENT: Rough Draft Workshop on Essay 1A. To qualify for your 10 workshop points, you must upload a copy of your rough draft by the time class begins and in addition bring FOUR printouts of your essay to class, one of which you will hand in to the professor in hard copy form.

NOTE: This workshop may not be used as part of your 30 drop points. If you miss, however, you may make up the points by completing an appointment with a Writing Center consultant by noon of the day before the essay is due. Be sure to let your consultant know that I’ll need notification of your session. Make-up sessions are not eligible for Writing Center bonus points.

 

MJan28

Bring the most recent copy of your Essay 1A draft to class

Don’t forget your essay consultation appointment with the with the professor  this week

 

 

Discussion:

What is “appropriate diction”?

What is sentence variety?

In-class Exercise: Sentence variety exercise

 

WJan30:

No class—Don’t forget your essay consultation appointment with the with the professor  this week

 

FrFeb1

Meet in the Writing Center today

Due today: Upload your Essay 1A on Canvas by 11:59 p.m. (Yes, you may have all day to finish this task.) Don’t forget to include your “strengths and weaknesses” statement in the comment box. Remember, if you don’t provide it, you automatically lose 10 essay points that can never be made up, even if you rewrite your essay later.

 

 

 

 

Introduction of Essay IB: Assessing the rhetorical context for your Essay 1B by reviewing “This I Believe” guidelines

 

MFeb4

Meet in the Writing Center today

Cut and condensing your essay to a 500– to 600-word version. 

 

 

 

WFeb6

Meet in the  CLASSROOM today

 

Continue working outside of class to get read for the rough draft workshop on E2 (the shortened version of E1)  on Friday. Note the date change from today to Friday for the workshop.

 Today:  Meet in the classroom for the introduction to E2

FrFeb8

Meet in the  CLASSROOM today for the REQUIRED CANVAS DAILY ASSIGNMENT: Rough Draft Workshop on Essay 1B. To qualify for your 10 workshop points, you must upload a copy of your rough draft by the time class begins and in addition bring FOUR printouts of your essay to class, one of which you will hand in to the professor in hard copy form.

NOTE: This workshop may not be used as part of your 30 drop points. If you miss, however, you may make up the points by completing an appointment with a Writing Center consultant by noon of the day before the essay is due. Be sure to let your consultant know that I’ll need notification of your session. Make-up sessions are not eligible for Writing Center bonus points.

 

 

E2 Rough Draft Workshop and another sentence variety mini lecture.

Monday, Feb.  11

Due Today: Upload your Essay 1B to Canvas by 11:59 p.m.  (Yes, you may have all day to finish this task.) Don’t forget to include your “revision report”  and your “rhetorical summary” in the assignment’s comment section. Remember, if you don’t provide this material, you automatically lose 10 essay points that can never be made up, even if you rewrite your essay later.

UPCOMING REQUIRED DAILY CANVAS ASSIGNMENT: Submit your Essay 1B to the This I Believe website by  class time  Wednesday, Feb. 11 AND forward a copy of the submission confirmation you’ll receive to my regular email: simon@suu.edu

In-class lecture on point of view  and its connection to E3